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3 Poems

Shamala Gallagher

Elsewhere, some later year, I’ll try to be good. Today I don’t care.


Poetry, Fiction, & Nonfiction   

Where You Are: An Interview

ZZ Packer

James Baldwin once said that he wasn't able to really write about America until he left America. And I have this feeling that if you’re in a place...

Voyage: Happening in an Egg

Megan McHugh

Why did he shape my brother’s body to the contours of war? Is this the shape of all our language already?

4 Poems

Ama Codjoe

Before I am beautiful I'm in the hairdresser’s chair, / perched atop two phone books, holding my ear. My reflection / in the bathroom mirror is a landscape painting.

Night Moves

Ella Marilla

At 1am, 2am, the across-the-road-guy decides to start shooting stuff. Cans or nothing maybe. Ten shots each time. After each ten you think he's all out.…

From the Archives

Against Blinders

Jonathan Moody

I see Justice in the form of Dr. Attisha; through her horn-rimmed glasses, I see the blood lead levels doubling inside of toddlers.

The Machine is Trying to Make You Lose

Liam Baranauskas

Pinball takes place in a more liminal environment: those may be your physical fingers hitting flipper buttons and your real voice cussing out Bride of Pin-Bot, but your vision, your concentration—everything about you that’s more consciousness than body—moves outside of yourself and behind a thin layer of glass.

Where You Are: An Interview

ZZ Packer

James Baldwin once said that he wasn't able to really write about America until he left America. And I have this feeling that if you’re in a place...

excerpts from Babeltrack (notes on a lengevitch)

Uljana Wolf, translated by Sophie Seita

  In fact, wir sein ready,Was das anconzernt.—Kurt M. Stein, Die Schönste Lengevitch, 1925 being on an island, having a child, writing, and having a…

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…